Keeping Pace with the Times, Creating Live Dramatic Music Images----For Composer Pro. Jin Fuzai at His80th BirthdayMan XinyingAbstract: Composer professor Jin Fuzai's music production goes along with the history of contemporary Chinese music. Since the reform and opening up period, as a representative of drama music, opera musical, his works are hig…
Cultural Identity and Confidence from the Perspective of Chinese Ceramic AestheticsAbstract:Inheriting and innovating traditional Chinese culture is an important vital for Chinese modernization with its own specific traits. As a classic sample of the traditional Chinese culture, ceramic aesthetics is not only necessary for our awareness of cultural …
The New Wave of Kazakhstan Cinema in the Post-Soviet Era (1983-1991)Zhou YanAbstract:The post-Soviet cinema of the 1980s were the third artistic peak in the history of Soviet cinema. The New Wave of Kazakhstan cinema were the most representative esthetical artistic achievements during the period. Under the leadership of the master class of Russian e…
Chinese Literature Today and the Overseas Dissemination of Chinese Literature -Interview with Mr.Yao Jianbin,Deputy Editor-in-Chief of Chinese Literature TodayYao Jianbin, Cao JinxiuAbstract:Founded in 2010, Chinese Literature Today (CLT) is an English journal published in the United States with the collaboration of Beijing Normal University and the…
Founded by Chinese Revolutionary League in Lingdong Area in the Qing Dynasty, Chinese Times Was a Pioneer of Public Opinions and an Advocacy of the Revolutionary NewspapersShi XinAbstract:Founded in the Lingdong area of Guangdong Province in the late Qing Dynasty,Chinese Times (Zhong Hua Xin Bao) was a newspaper under the Chinese Revolutionary Leagu…
Mythological Metaphor and Historical Memory:From the Legend of Shiwei in Pre-Qin DynastyLi ZheAbstract:The concept of Shiwei in the pre-Qin literature is fragmented, which accords with the historical memory construction of the two dynasties of Xia and Shang about star observation,clan migration, and national rise and fall, and the mythological narra…
Establishing Theories for Chinese TelevisionHu ZhifengAbstract:Since1950s when television entered into Chinese audience sight, ChineseTV has more than 60 years history. It gradually formed its features and functions with distinctive Chinese characteristics.In the past 30 years, I have had the honor to witness and participate in the magnificent devel…
The Evolution, Artistic Features and Experiential Enlightenment of the "Classic Works" in Chinese Television ArtChen Yin, Ding MengyaoAbstract:Throughout the 65-year creative process, Chinese television art has developed a consistent pattern and distinctive path with notable Chinese characteristics, exemplified by numerous influential“Cla…
Hu Zhifeng, Walking on the Path of Chinese Television DevelopmentLiu Jun, Jiang Wei, Zhu MingAbstract:As a witness, participant, and builder of Chinese television, as well as one of the founders of Chinese Radio and media art, Hu Zhifeng has participated in and promoted Chinese television as a scholar, teacher, television program planner, associatio…
Space Production: Knowledge Generation of the Edge Image of Temple Eave Sculpture in MacaoGu YueAbstract:As a part of Lingnan culture, the temple ridge sculpture of Macao has its unique features. It embodies the marginal image of its space production and knowledge generation,which presents the non-verbal symbolic value with its regionalization, secu…
A Study on Musicologist Dai Dingcheng's Early Music CreationCui YiqianAbstract:Musicologist Dai Dingcheng had been studying in Japan and delivering lectures in Europe and America since the early 1990s. After being invited to work in Macao in 2003, he has kept doing research, and has achieved a lot in his study of early European polyphonic music and …
The Island Star Chase----A Multicultural Perspective on Macau's Exploration of Space TourismPeng Kanglin, Yao Yijing, Wu Yize, Xiao YangAbstract:Chinese people have always had a romantic gene in their blood, longing to explore the mysteries of the infinite universe. Chinese people have had thought of flying the moon and the stars, probing the myster…
Derrida's De-centering Deconstructionist PhilosophyChen ShidanAbstract:Deconstructivism is a critical tool of postmodernism. It opposes dualism, systematism and centralism, advocates relativism, recognizes differences, respects the Others, emphasizes intersubjectivity, and advocates the thorough pluralism of thinking modes, expression methods,artis…
Comparison of the Compiling Systems of Chinese and Japanese Dictionaries of AestheticsChen YueyingAbstract:Motivated by Western aesthetics, Chinese and Japanese scholars combine their needs of the nations respectively and excavate aesthetic thought and discourse, trying to establish a disciplinary system of aesthetics in line with their own cultural…
The Recreation of Nature in Humanity:A Study of Wordsworth’s Garden AestheticsZhang YanAbstract:In the 18th century, British horticulture developed greatly, and its concepts of garden design laid emphasis on the imitation and improvement of nature to endow gardens with idealistic beauty. As a representative poet of English Romanticism, Wordsworth h…
Art as a Strategy: AStudy of Early Swedish Cinema in the Golden AgeTan HuiAbstract:After World War I, Swedish cinema emerged as a distinctive force and entered its golden age.During this period, Swedish cinema was characterized by its strong national style, with figures like Victor SjöstrÃm and Mauritz Stiller, who were multi-talented in screenwriti…
The Media Image of Mei Lanfang and Its Enlightenment on Peking Opera’s Overseas CommunicationYu Jiangang, Hao ShuangAbstract:When Mei Lanfang was performing in the western countries, the local media, which was then rather developed, made detailed reports on Mei Lanfang’s artistic and social image, and personified MeiLanfang's image deliberately in…
Research on Living Culture--The Ideological Rationale for Chinese Paper-cutting Intangible Cultural Heritage PracticeQiao XiaoguangAbstract:Concerning the national intangible cultural heritage protection policy, the concept of "living culture" was put forward in 2002. Since then, we had taken this ideological idea as the guidance for our i…
Discovering Practices from Cultural PerceptionLiving Culture and Research Experiences in Chinese Paper CuttingSu HuanAbstract: The modern paper-cutting research in China began in the 1980s. Most of basic problems in paper-cutting have been solved through the previous research. The inscription of Chinese paper-cutting on the list of the Intangible Cu…
Insight into the "Mother River"--A Practitioner Walking on the Folk RoadDong YongjunAbstract: Qiao Xiaoguang is a pioneer in Chinese intangible cultural heritage education and a watcher of folk art. He upholds the practical spirit of "seeking knowledge by earnest practice". He retrieves the origin of the "Mother River" …
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