The Deity-Human Relationship and Emotional orderin the NaZha Beliefs in MacauFANG HuanAbstract: Against the background of the continuous expansion of scientific rationality, folk beliefs are often placed within binary evaluative frameworks such as “tradition versus modernity” and “rationality versus superstition”, which tends to oversimplify the…
The “Jinlian” Phenomenon in Small Theatre Cantonese Opera and Its AestheticConstruction——An Interview with the Creative Team of JinlianLIN GuanxingAbstract: The small-scale Cantonese opera “Jinlian” successfully toured various domestic cities such as Beijing, Shanghai, Guangzhou, and Hangzhou, triggering the “Jinlian” phenomenon. This event …
A Study on a Controversial Patriotic Musician Yu An-pinLI QiyuanAbstract: Yu An-pin was a musician and sports specialist active in southern China during the 1930s and 1940s. He graduated from the Department of Physical Education of Peking Normal University in his early years. After graduation, he taught at more than ten schools in Guangdong, Hong Ko…
Flattened Art History: The Bandwidth Revolution and Artistic InnovationSUN TaoAbstract: Traditional art is grounded in the holistic structure of meaning within a society and its culture. Modern culture, by contrast, dissolves diverse meaning structures into homogenized symbolic elements, reassembling them within a theoretical narrative of “developm…
A Study On Cheng Jiasui’s Opera Activities from the relation of Litertati andChinese Opera PerspectiveZHANG LijuanAbstract: The previous studies of Cheng Jiasui (1565–1643) have been mainly focused on his identity as a commoner poet and as a painter. In fact, Cheng Jiasui was also well versed in music and theatre. His daily engagement with opera a…
Preserved in a Foreign Land, A Reference for Civilization:A Study on the Artistic Characteristics and Value of Chinese Opera New YearPaintings in JapanZHOU YangAbstract:Opera-themed New Year paintings are an important form of Chinese folk art. They keep a lot of the aesthetic habits and moral ideas from late Qing society. Because Japan is close to C…
Shen Diemin's Yijing Textual Criticism Research duringthe Republican China PeriodZHU Guanglei(Department of Philosophy, School of Political Science and Public Administration, Soochow University, Suzhou 215123, Jiangsu, China)
Comparison of Zhu Xi and Wang Fuzhi on Image MathematicsJING Jun(College of Politics and Public Administration, Qufu Normal University, Qufu, Shandong 273165)Abstract: Zhu Xi's and Wang Fuzhi's symbolic yi-ology are developed along different academic paths, which are"different ways", but both of them have the characteristics of Confucian p…
Review of Researches on the Qin Bamboo Slips Guicang Excavated atWangjiatai, Jiangling, HubeiLU Na(Advanced Institute for Confucian Studies, Shandong University, Jinan 250100, China)Abstract: The discovery of the "Gui Zang" section of the Qin bamboo slips from the Wang Jiatai collection hasprovided crucial materials for clarifying the hist…
A Study on the Relationship between the Zhouyi and Ancient ChineseAstronomical CalendarsLI Xuehao(Yunnan Chinese Zhouyi Research Association, Kunming, Yunnan, 650000)Abstract: From "observing celestial phenomena to determnine scasons" to the creation of calendrical systems, theself-refinement of ancient Chinese astronomy was deeply influen…
Research on the Ontology of Yi(Book of Change)-A Comparison with theOntologies of Husserl and HeideggerCHEN Yuan(Department of Philosophy, School of Humanities, Nanchang University/Institute of Philosophy, Nanchang University)
The Study of Yi as the First PhilosophyYIN Zhaokun(School of Philosophy, Shaanxi Normal University, Xian 710119, China)Abstract: The first philosophy is a foundational discipline in Western philosophy, and the study of the I Ching(Yijing) in Chinese philosophy has been closely linked to first philosophy from the very beginning of Chinesephilosophica…
"Shengsheng": Roger T. Ames' Poetic Interpretation of Chinese PhilosophyYAN Qihui(Beijing Language and Culture University, College of Sinology and Chinese Studies Bel and Road Research Instiute, Beijing 100083,China)Abstract:Given the bias of many Sinologists in interpreting Chinese philosophy through Western philosophicalterms and theoret…
《易》与“新传统主义”鞠曦 (长白山书院，吉林抚松134500)中国学术思想史表明，由历史的逻辑所决定，《易》经产生了一系列“惭枝游屈”问题并由此衍生出经久不绝的疑难问题。为了解决《易》学中的问题，从而形成了易学学术传统，使易学成为中国文化中的一种学科形式。易学“惭枝游屈”问题表明，并非“易道广大”形成了浩繁的易学史文献，而是因问题不决使之代有研究，因此形成…
From "Curing Gu" to "Removing Gu": An Examination Based on the Yi-ology ofZhu Xiand Ju XiYUAN Dian(Department of Philosophy, Nanchang University, Nanchang 330031, China)
The Comprehensive Construction of the Philosophical System of the ZhouyiCHEN Yan(Department of Philosophy, Nanchang University, Nanchang, Jiangxi 330038)Abstract:This article takes the passage from the Shuo Gua Zhuan (Commentary on the Trigrams)"Thunder tomove them, Wind to scatter them, Rain to moisten them, Sun to warm them, Gen to still them…
心靈、情感、境界與意義作者：李少君中國文化是一種心靈文化，胡曉明認為詩歌就是民族之心。陳寅恪認為中國文化本質上是一種人文主義，最終以創造文學為旨歸。詩歌和文學的本質，就是人類心靈和情感的呈現。在中國文化中，詩歌有著特別的地位。孔子曰:「不學詩，無以言。」《詩經》始終是儒家排在第一的經典，「詩教」是中國古代最基本的教育方式。「詩教」本質是一種心靈教育、…
西川訪談:警惕想像與烏托邦作者：西川、陶炳塬陶炳塬:如果我們抛開那些政治地理學上的束西，或者說社會概念的西部，還有我們可以多看看就是文學裏的西部，或者說一個想像中的西部。因爲很多人其實他是有誤解在裹面的，有些人他可能會去借用概念，但他可能并不能說很真情實感地表達概念。有點像一種誤讀。西川:如果要是討論西部問題，我覺得首先應該警惕的一個束西是什麼?就是用一…
颱風前夜作者：徐威周埃塞有些不舒服。以往，溫浮雲總是熱情地在羣裹跟她說:「馬上週末啦，快來快來快來!」有時才剛週三，溫浮雲就已經開始呼唤她，並設計好一整個週末的行程--比如週五晚上到橋束老街炫一圈海鲜大排檔，週六去華潤小徑灣租個民宿吹個海風，深夜喝點啤酒吃個烧烤，再光著腳丫踏個浪，週日睡個自然醒，下午再去紅花湖騎行十八公里。那時，她們分隔兩地，相距一百來…
紅梅陽焰作者：迎河與她是在二OO五年夏天相識的，我十七歲，她二十歲。沒有上大學的她，家裹的條件又實在不支持自己遊手好聞，就通過做一些零工來维持開銷，這次是在早冰場裏做收銀。和她攀談起來的契機是一場大火。當時我滑了一下午，休息時，炫耀似的和她講起這段往事，她竟意外地很有興趣，我們由此結識。[原文下載][Download PDF]
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