Film and Television Sound Discrimination:Constructing Ideology Through Sound
Lin Bin
Abstract:To gain the approval of its audience, the most effective way for a movie is to evoke emotions of the viewers. Only when the audience and the film's creators empathizes with each other over the film can they recognize the ideas and values expressed by the creator through the film, thus recognizing or accepting the ideology inherent in it. The research approach of this paper is using the theory of subject-object co-construction in audio-visual sound recognition as the perspective for observation, based on the widely accepted theories of cognition and emotion in cognitive psychology, the construction pathways of "emotions" in audio-visual works are sorted out through comparative research and case analysis methods. Thus, it is deduced that the construction path of "emotion" is as follows: by stimulating "emotion"+ creating "mood"→realizing the establishment of "preference" →forming "emotion" identity. Through the in-depth analysis, inference and summary of the case, it is concluded that through reasonable design of the sound object, it can help not only realize the partial control of the subject's emotional identity, but also construct a specific ideology.
Key words:Sound design; affect; emotion; mood; preference; ideology
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