"Writing-Continuity": Subtitles in the Silent Film Era of Chinas (1931-1938)Li Xiaoyang(Li Xiaoyang, Beijing Film Academy, Haidian, Beijing 100088)Abstract: Subtitles in Chinese silent films functioned as a reading device, embedding into filmsin a visualized form to set up narrative assumptions and perform the explanatory role of dramatic…
The Death of Eros,Class Overturn and Small Narratives:Modernity Issues in Historical Costume Dramas of the New CenturyHao Shuaibin(Television Art Center of the China Federation of Literary and Art Circles, Chaoyang District, Bejing 100083;2. Communication University of China, Chaoyang District, Bejjing 100024)
Disaster narratives and representing China through towns:Review of Wu Xing Zhe by Lu NeiNie Zhangjun(Nie Zhangjun Baoding Hebei University ,Hebei,China)Abstract: Wu Xing Zhe began with the floods in 1998 and ended more than ten days before theWenchuan earthquake in 2008. Floods, blizzards, SARS, mining accidents, and 9/11, the writingof disasters r…
From "The Gaze of the Other" to "Empathy and Coexistence":A Study onthe Visual Politics and Ethics of Lu Chuan's Wildlife ImagesChen Ruijiao(Lanzhou University of Arts and Sciences, Lanzhou, Gansu 730000)
The Historical Evolution and Cultural Interpretation of Xiaoqing's CharacterImage in the Film Adaptations of The Legend of the White SnakeRAN Jiangjiang(RAN Jiangjiang Northwest Normal University, Lanzhou, Gansu,China)
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