Self-Representation and Hetero-Imagination of the Golden Triangle: A ComparativeStudy on Narrative Patterns and Cultural Logicsin Indigenous Burmese and HongKong Drug-Trafficking CinemaZou Yushuo¹(1. Zou Yushuo Guangxi University, Nanning, Guangxi,China)
From "Communicative Memory" to "Cultural Memory" ——The Value Transformation and Inheritance of Qiaopi Memory in the Film ALetter to GrandmaLi Liling[Abstract] In 2013, the "Qiaopi Archives — Overseas Chinese Remittance and Letters" was inscribed on the UNESCO Memory of the World Register, gaining international recogn…
The Cinematic Revelations of“Geido”: Art and the Artist in the Films of KenjiMizoguchiHan Xiaoxue¹（1. Han Xiaoxue Tarim Vocational and Technical College, Aral City, 1st Division of Xinjiang Production and Construction Corps,China)[Abstract] A core theme repeatedly emerges in Kenji Mizoguchi ’s films: the relentless pursuit of traditional artistr…
Postmodern Narrative and Cinematic Sense of Place in Bashu Dialect CinemaCao Zhong(1.College of Liberal Arts, Southwest University, Chongqing 400715)[Abstract] In recent years, Bashu dialect cinema, which uses Sichuan and Chongqing dialects as its primary linguistic medium, has attracted extensive attention from both academia and the market. In thes…
WeChatHotline
