張曉琴教授調入中國人民大學的時間不長，但我們認識已經很久了。她在北京師範大學工作的時候就和我說過，要寫一部以非遺為主題的長篇非虛構作品，我當時就覺得這是一個非常好的主題。錢穆先生在論述中華文明時說的話：“羅馬如於一室中懸巨燈，光耀四壁；秦、漢則室之四周，遍懸諸燈，交射互映；故羅馬碎其巨燈，全室即暗，秦、漢則燈不俱壞，光不全絕。因此羅馬民族震鑠於一時，…
Dialogical Poetics in Encounter ——Paradigmatic Innovation and Ethical Reconstruction in the IntangibleCultural Heritage Writing of ZhinianLIU BiaoAbstract: Current writing and research on intangible cultural heritage often fall into the paradigm trap of the “I-It” relationship, objectifying inheritors into an observed and spoken-for “Others”. …
The Contemporary Transformation of “Obsession” and the ObsessiveTransformation of the Contemporary：Notes on Zhang Xiaoqin’s ObsessionWU LvAbstract: Professor Zhang Xiaoqin’s “obsessive” writing in Obsession unlocks a set of dialectical imaginings within the concept of “obsession”: how folk art’s “obsession” can be “de-heritage-ized” an…
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